Integration of FM-era pop, from glam to power pop, bandannaed cock-rock and New Romanticism, shouldn't come this easy, or sound this good."
This is the music to which you fell in love, got married, got divorced, and had your first seven midlife crises. Since 2004, Baby Teeth have been dogged by the question, “Are they serious?” So, to get that out of the way, the answer is: Hell yes. And also... Who’s asking? And also... Who cares? And finally... You can be tragic and funny and melodramatic and funky and buoyant and depressive on the same album, right? Or, is that breaking the rules?